
I suspect the inspiration for 𝑇ℎ𝑒 𝐺𝑟𝑜𝑢𝑛𝑑𝑤𝑜𝑟𝑙𝑑 𝐻𝑒𝑟𝑜𝑒𝑠 came from working in the yard and seeing underground animals like prairie dogs and rabbits running around.
On the surface this seems like a simple story – three men escape from prison and then disappear. But like many mysteries, there’s what’s known by people, and then there’s the story beneath the story. Who were these men and what life experiences and skills did they possess that made their escape possible? And once out, how were they able to disappear without a trace? The answers to these and other powerful questions are almost beyond belief, and all of them true.
I first arrived in Japan in the spring of ’84 to take up a job I had got while completing my doctorate on 18th century English literature at Edinburgh University. I had been hired as a “Guest Professor of English” by a new university located in a fishing village in northern Shikoku. Shikoku is one of Japan’s four main islands, but it is also the smallest, the most rural and, at that time – before the construction of bridges linking it to Honshu and Kyushu – the most remote.
I’ve used all three of these methods at some point. Initially, I was more of a pantser and went in with whatever was in my head, usually the beginning and end with a few moments in the middle. These books mostly didn’t work because I was just starting out and didn’t know how to set a scene or write decent description and other technical stuff.