
In this thriller, Sally and Gilly have a secret, one that Gilly hasn’t even shared with her husband. When she was young, she and her best friend Sally, found something one day in the cemetery: they found a box with a dead baby in it.
I first arrived in Japan in the spring of ’84 to take up a job I had got while completing my doctorate on 18th century English literature at Edinburgh University. I had been hired as a “Guest Professor of English” by a new university located in a fishing village in northern Shikoku. Shikoku is one of Japan’s four main islands, but it is also the smallest, the most rural and, at that time – before the construction of bridges linking it to Honshu and Kyushu – the most remote.
Rose and her daughters, Magnolia and Lily, are gardeners. They normally have one big garden, but Magnolia and Lily want to have their own garden this year in which they will grow pumpkins, tomatoes, snow peas, and other veggies. While watering their garden, they discover a mystery. A leaf is moving and going kerplop all by itself. Underneath the leaf, they find a new friend: a toad.
I’ve used all three of these methods at some point. Initially, I was more of a pantser and went in with whatever was in my head, usually the beginning and end with a few moments in the middle. These books mostly didn’t work because I was just starting out and didn’t know how to set a scene or write decent description and other technical stuff.
Lumina City is full of werewolves, vampires, and demons. Corruption and evil fill this city. It is the Vanguard’s job to protect the world from demonic forces. But the Vanguard in Lumina City are corrupt. Instead of helping the citizens in their fight against their foe, they are using their powerful positions and elite combat skills to become rich.
When I was asked to write a guest post for Lisa’s Writopia, Lisa noted that my graphic novel is an expansion of a short film. She wanted to know: is there a feature film in the works? The question got me thinking about the unique journey my story has taken – from the screen to the page – and the future that may be in store for it.
Have you ever read a book that you couldn’t put down because you were so caught up in the story and its world? That is what reading Skandar and the Unicorn Thief was like for me. Everything else going on in my life faded in importance to what was happening in this book. It was written for those eight to twelve years old, but the story grabbed hold of my imagination and refused to let go.
I recently released my first fantasy novel, 𝘌𝘤𝘩𝘰𝘦𝘴 𝘰𝘧 𝘋𝘳𝘢𝘨𝘰𝘯𝘴, and I would love to share how this book came to be. It has been a long journey for this first novel in the Awakening series, but so many aspects of my culture, my personal life, and my journey as a writer have come into play so that 𝘌𝘤𝘩𝘰𝘦𝘴 𝘰𝘧 𝘋𝘳𝘢𝘨𝘰𝘯𝘴 really feels like an appendage of myself.